The past is a foreign country: they do things differently there.”
The past is a foreign country: they do things differently there.”
SHLOKA 1
When Sahir wrote the lines,
It so happens that Human beings learn retrospectively. I did not know the full meaning of what he meant. When My Kutiya died, I understood some more of it.
Let me introduce. It might be the first and last introduction she will get. She was a female dog. Bitch, I do not say, because this word I reserve for human beings.
So, She has not much introduction. Just some images of her in my head. She used to dance. She used to wiggle her tail in front of me to get food. She used to do it for other family members of mine, but they were not kind enough to always give her a piece of roti.
I understood when she died, The meanings of the lines, "Utna hi upkaar samajh...". She knew it. She never showed anger when she was not given food. She used to ask. She used to make a sound. She used to say something like, "Aoooo" in dog voice, which I had understood meant food. I used to study and I used to here a dog scratch on my door, sometimes, when the door would have been azar, I used to hear a "Aooo" and I used to know, Ok she needs food. And she was disciplined like that. She never knocked my door in improper times. She knocked at 9 AM in the mornings just when I used to go to get my breakfast, just to remind me to get her food, at 2 PM at lunch, somewhere around 5 PM for some snacks and then at 9 PM for dinner. A quality that only she had and humans do not. Humans of my house disturb me day and night at anytime.
I had some feelings for My Kutiya. I knew she also had. She used to talk to me through touch. I used to touch her forehead. This gave her affection. She used to sometimes scratch her back against my leg. That meant, do not worry. We won't judge you. At least I interpreted this as that.
In her last day, When I forced her to go out of the house in hugh rain, she went outside without resisting. She knew it, "Jo jitna saath nibha de, wo hi upkaar samajh". She knew she will die. She was already ill.
I obeyed my grandfather. I did not obey truth. I did not obey What was right thing to do, what was dharma. I obeyed my Grandpa. He said, The floor will get dirty of her saliva. She was salivating of all the cough that she had. She had pneumonia.
She went and I closed the door. I went back to my Optional class.
The next day, I saw her lying in the shrubs trying to get up but the sheer rain and her weak body. I was looking at her but was unable. My family members expressed sorrow, but I am sure that was performance. They said we could not do anything. They said, it is good for her she died. How would have she survived.
"Koi na sang mare" I know this. She died of Pneumonia and weakness. I do not know, Karma and other stuff. Dharma, and God and other things.
But, I think I might die of Pneumonia too. I will also die on a heavy rain, homeless with no help. This is the punishment of mine I must bear. I will have to. Somewhere I feel this will occur. She took with me a human side of me that died with her. In fact, my human side died when I forced her out of the house.
I do not know and would not want to engage in human explanations of right and wrong or whether it was good bad, necessary or unnecessary or whether My Grandpa is right or I was.
The fact is she died. And I was responsible for it. I cried that night and I am crying still. The pragmatism says I should focus on my work and We still have 4 dogs. But,
Just one thing, "No life deserves death yet death it was it gets. And she died miserably. The only way I can repay is by dying miserably like that."
If I got some financial independence, I would like to have a dog daughter. Humans are ok but I would like to be treated good by a dog and parent a dog than a human.
My Kutiya had no name. I did not have the emotional sensibility to name her. My daadima used to call her Kutiya, so I called her Kutiya.
Somehow, in this state of deep guilt and sorrow, I somehow wish, that she should come back. In any other form and give me a chance to rectify my mistake.
Animals are mostly powerless as compared to Humans. The least a good person can do is treat them with respect and may be care for them.
My Friend Siddhant used to care a lot for Dogs in IISER. He used to say to me "I see a Dog lover in you." I used to laugh at that.
But now when the affection of a dog hits you, it is really a surreal feeling, spiritual feeling. And I conjecture that in this digital age of post irony and all that, The only genuine spiritual love possible is between a dog and a human. like an animal and a human. Rest all human-human relationships are corrupted by barter and transactions.
Pet a dog, or may be some animal. It is natural only to have affection for an animals and parent it like your own kid. It makes you less animal to be friends with animals, it makes you more human.
Every Literary work presents itself as a form of opaque transparence to the reader. The Form is as transparent as it could be. In fact,
The Form is by definition, a transparent display of the content. If it is judged solely on the basis of its own, it is not encrypted at all. The encryption comes only when It is seen in the context of the content.
The Content, on the other hand, by virtue of being content, needs to be encrypted to meaning, connected to Form via an encryption and more so, In its structure, Encryption comes as an ingredient to the story itself.
The three-factor authentication of Content is what makes it Decode worthy. The reader is invited in, engaged in and pushes him to know and decode.
Take an example of a fiction drama, "Asaad ka Ek din" or "A day of Monsoon". The form in front is a set of people talking under the banner of "A day of monsoon". This generates some expectations. Some pre-assumptions about what the story is going to be about.
But an intelligent reader knows that it is very much essential for the expectation to break and more and more rift between expectation and content to arise for further engagement of him with the content. So he is not only prepared for conflict, he is hopeful, he is counting on it.
The content of course, then turns out to be a love story. Love stories in all day and ages are not that conflict generating. It might be having some inner conflicts of its own, but at least, it is not more deviation from the Form. A monsoon day can be considered already romantic.
But the hidden message is that the title is kept fundamentally non-relevant to the story at large. As if, Mohan Rakesh, the author, delivers this message that the fundamental seer of this conflict, him, sees it not from any one perspective, but from the perspective of the stage, since it was a drama.
A temporal title. This is what a day in a monsoon looked like once upon a time between these people. One of the key tenets of storytelling is to further de-aggrandize your story since, it is the very nature of fiction that it often intimidates reality.
The reader enters, already intimidated to the characters at large, thinking, "What special have they done to deserve being written on a page and I don't?
The reader comes from a certain space of intimidation, that is why he decided to turn to fiction in the first place. As I say,
"Zen men read non-fiction. Rest non-Zen men and women console through fiction. Those who do not read at all, their sexuality is always in conflict, they remain unsure of their sexuality."
What do I mean by this is, It requires a certain amount of give in, a submission to fiction only those can afford who do not have a good reality to look forward to. On the other hand, Non-fiction is basically truth. If taken literally, "Non-fiction" means "Not a story" that is, basically truth. It requires a very courageous mind and a sort of privilege to be able to read non-fiction. Rest those who do not read, they fight with both natures. They are submissive where it is required to fight, they are aggressive where it is required to submit. Their lives become a constant anxious nightmare.
The Opacity of literature, be it fiction and non-fiction reveal itself like sexuality. You slowly discover the facets of sexuality, and you slowly get to know what the story is about.
Except a few exceptions, like Ranveer Kapoor in Animal or some Shahrukh Khan in some other recent film, We have seen a recent very peculiar films like: Sui Dhaga, Barelli ki Barfi, Chhalaang and most prominent of recent, Bhool Chook Maaf. That is, the Hero is no longer Macho, he is flawed but these indie characteristics are also qualities of some Anurag Kashyap and earlier parallel cinema Heroes, one main feature of these film's Heroes are "They are losers!"
Bollywood's deliberate attempt to depict loser masculine hints at the socio-political conditions that we are living. But this loser is not just a loser, it is complemented with a redemption arc.
For example, In Bhool Chook Maaf, Rajkumar Rao's character is a selfish idiot who bribes an agent to get a government job just for the sake of marrying his loved girl. He is far from honest, far from ideals of the socialist India, the neo-liberal Hero of India is obviously corrupt. He is not just corrupt; he is obviously corrupt.
Then, he goes through all of this redemption arc where he not only turns essentially honest but also takes a moral high ground and reclaims the position that was held by someone like Amitabh Bachchan in films like Shahenshah. What are the implications of these movies on our current societal circumstances? Let us see.
1. It is no longer possible for Cinema, especially Bollywood cinema to depict an "Ideal Hero". This is the depiction of Death of "Dream of Ideal Man and Ideal society". The real, so called, is now flawed one. Cinema is now not meant to deliver a message of the goodness, rather just runs on naive relatability factor. And I am not a big fan of Relatability. If your piece of art is relatable to a rapist, I spit on such cinema.
2. It seems essential in today's time, that is the decline of Patriarchy, Men are not the ideal of society. Women are. That is why, in all these films when the man is a loser, the woman is a single dimensional character, that is, a strong independent woman, mostly either challenging the ego of the man, or covering it for his loser behavior.
3. The redemption arc of the Hero is coming from typically the Bollywood's compulsion of victory of good over evil. So, the Hero reforms. The Hero comes out to be this empathetic welfarist man who thinks about common good now that he understands that his behavior is the contributor to the evil at large. This gives us a false hope that eventually, we will also reform and become the best versions of ourselves. But this reform for the Hero happens within 2 hours of the film, unfortunately, men who watch these films, never reform.
4. One other peculiar implication that we see in these Heroes is that they use humor extensively. It seems in films like: Stree, etc. That there are no side-heroes or comics like Johny Lever type characters in these films. The Hero itself is the comic. That is an effect of Stand up comedy and its popularity in contemporary times. The Comic is not considered a joker anymore. He is considered an artist. He is considered someone worthy of becoming a Hero.
This should not be seen as a bad thing. I think Hero has not become Funny. We can say, nowadays funny people are beginning to be accepted as heroes of today's times. Earlier, funny was associated with immaturity and naiveness, anyone serious was considered mature and socially conscious. Nowadays, this has reversed already.
Anyone serious is considered seriously pathological and naive. It is like, we are living in such difficult times that anyone who is not seen joking and lightening the mood, is considered seriously pathological and even boring. If you consider yourself a hero today, it is mandatory to be funny today. No other option.
In fact, comedy acts as a redeeming factor to the Hero's loser nature. "at least he is funny, covers up for all his lack of morality and his mischief."
4. One thing this Hero is really firm at. He is differently moral as to the socialist Hero of 80s-90s Cinema. He is not patriarchal at all. Like, even if the film is not about Gender issues, we see extensive in talk commentary about women's rights and depiction of free woman and Hero, however loser he is, supports women's freedom. The socialist hero was progressive yet retained his patriarchy in his moral stance. In fact, In case of the Loser Hero, His being loser can also be interpreted as his comfort with not winning. His comfort with his masculinity. "It is ok not to be best in everything even if you are the Hero of your own film" is the central message of this Loser Heroes' character. It is sort of a signalling, an instruction manuel for the men. What kind of men are desired in today's times by women. It is Rajkumar Rao of Stree, Bhool Chook maaf, or for that matter in Chhlanng.
It is not like people, sane people out of their own will, behave in a particular way, nor does this happen that people turn insane and behave insanely. This is the power of Ideology that the economic and social system shapes that People, start considering yesterday's sanity as insane and vice versa today.
We live in Post love hostels today. Strategically used words with precise meanings, I have tried to succinctly put what I want to say. Post love is a condition where Love in its raw openness is prohibited. Post love is a situation where Love, as a concept, can only survive behind a reversal of a defense, such as in humor twisted in Rom-coms, in horror twisted in lust, etc.
Post Love has some hidden assumptions.
First, Love is too mushy and cringy to be performative. So, its performance must be engendered, Like Judith Butler dictates, Gender is performative, out of many subjects, Love becomes a performance art for a particular gender. Women perform love in a particular way and you are trained to receive love from a woman in a trained particular way. If a woman deviates from the prescribed performance of love, you somehow judge the woman just like an Art critic judges a poem, "Oh! It is not in meter". Men have to perform Love in a particular way, or else, they will be judged for their performance. So, Love becomes a gendered genre of performance. What is love if not associated with any gender norm? nothing precisely. There is no concept of love which today can be called a Neuter gender love. Why is it so? I claim, this is the result of post-ideological trauma. We live in a post-ideological era. Although this is a false statement. No more than now we are engrossed in Ideology today, and no more than he is most ideological who claims that he belongs to "No -isms" and he comes from "No-wing". He actually comes from all wings and all ideologies fool him constantly. Since in the 20th century, horrors were committed in names of political ideologies, we have stopped claiming our ideologies today. As a result, calling yourself a liberal is frowned upon, a communist or otherwise is seen as a mark of "being too naive" or "a blind supporter" and being from a "no-winger" is considered the new intellectual. So, with this, comes a dishonesty towards society. Since the ideologies which claimed to offer help to the collectives as a whole are on a decline, A sudden Narcissistic rise of individuality is being seen. Individual with just a digital identity and stripped of all collective social relations is the new subject today. I call it, "The Techno-feudal Slave".
The Techno-feudal slave does not know love. He knows a product called, "Self-love". He has been sold that as a commodity. All other forms of love that he has somehow invented in his head are actually an extension of this Commodified "Self-love".
Self-love is the most fetishistic and undignified form of love possible. It is worse than lust, a traditionally considered heinous and unspiritual form of love is Physical love. Self-love is today's lust. Today's Techno-feudal slave is addicted to his own identity on digital forms of media. He is addicted to his own self Narcissistically. The pressure to be a self-made is so much in a rise which has led to a corresponding rise of mental health diseases, or depression. Depression is analogous in concept, with the Auto-immune diseases, where the Subject starts attacking his own allies, his own cells, his own self in a way. Depression occurs in a positivity obsessed society, where there is a pressure to be successful on your own, not because it is for a purpose, being successful itself has become a purpose to be successful. And more for the story. Man today, wants to become a story of his own success. The motivation to become successful has become this self-driving machine, where the sole motivation of becoming successful is motivation itself, no other reason. Someone wants to be successful so that he can motivate others to be successful. It is like a "Motivation Zombie Apocalypse".
So this Techno-feudal Slave, knowing no love but self-love and all other love as manifestations of self-love deprives itself from the social love that was the Zeitgeist of the last century. In the Last century, being a social activist, being a leader for a cause, or just someone who stands up for collective goodness was considered a Hero. It was considered the highest form of Love. Today, the most hated occupation is the people who protest, people who are activists, people who stand up for someone other's grievances, mostly people who still believe in the concept of "Helping Members of a society as your own Family."
Numerous UAPAs, numerous people in jails, journalists and all, and leaders calling the people who protest as "Andolan-Jeeves" or "People who earn and eat through revolutions". So, People have begun to equate Protestors with inefficient failures who could not achieve anything for themselves, so they started complaining. In a society where criticism and protest is constantly considered as a "false complain" or "nagging", This society is under the full attack of what Byung Chul Han calls "Psychopolitics" or the politics of Mental health. Politics where the social structures and economic structure enslaves you through having full control on your mental Healths. The Market controls your attention. The market will decide what you consider important and what you consider worthless. The Market will decide what you will feel when and when you will feel depressed. And Market will take away your rights to be left alone and non-attending by giving you lakhs of eyeballs in front of your screens and incentivising you to perform in front of Digital media. As if Market is the "Madari" and you are the Monkey who starts using Social media and post a picture of you enjoying life whenever Madari fansies. And the delusion that the Monkey lives is that he is doing it on its own. That it is his decision to post a picture, not the Market's.
When you are rewarded with eye-balls on the internet, and more so with some hearts occasionally, it is at this time that you are now incentivized more often to perform.
Second, Authentic love is too risky and dangerous to have in this economy. So the techno-feudal subject avoids it at all cost. Gone are the days when people used to die in love, People used to feel depressed in love. Today's subject avoids "falling" in love via two ways,
1. Falsely "Spiritualizing" love by making an idea out of it. Not acting on impulses, passions and just to fancy a woman and performing on Digital media by putting songs and other stuff. This digital performance still remains hollow, so it must be supplemented by Pseudo-spiritual correlations like, "I love her like I love God." Nobody loves God, first of all, And Nobody wishes to Fuck his god, since it is evident that loving her includes a violent and fascinating dimension of Sex.
2. They avoid falling by planning. People today, Plan for love. I call it the "Arranged love". Dating sites, Marriage apps, etc. Social media connections. All are manifestations of Arranged love. I claim, Post love is a society of Arranged love. There are no authentic love marriages anymore. Market has intervened. Now, either you let your parents decide (Conventional Arranged) or you let the market forces decide (Love-arranged by market). Both are equally bad and enslaving. Since what are parents but products of Market today. They will use their own parameters like Caste, Class etc. It is like planning to make a forest. You cannot plant a forest. However unorganized, your made-up forest will be a complexly made-up farm. It is an established fact that, Humans cannot make certain things in its human way. It is a work of nature's randomness, and it is supposed to be made so. For example, Love has and should occur in an accident, in a coincidence, in a way like slipping and falling and it should hurt. The Love was a product of nature in a way that love, like all products of nature, included in itself a loss of itself.
Like all products of nature, Like say, Water includes in itself thirst. If water, no thirst. If no water then thirst. Thirst is essential for water's subjective existence in Human's mind. Similarly, loss of love is an essential thing, all those violent reactions, emotional traumas, are an essential part of loving. That makes it a natural thing and not a market product.
A market always tries to sell you "The thing without its side-effects". Coffee without caffeine, Diet coke etc. "Love without falling in love" is this planned love.
Third, I consider is the most dangerous ideology of today's times. Love as in love for Pragmatism. Today's techno-feudal slave is an un-emotional hijacked plane being run on autopilot of optimizing success. Today's techno-feudal subject abhors making mistakes. And most of all, it abhors not making mistakes at the same time. Let me explain.
The tecno-feudal subject, as we dealt in last section, has heard enough number of motivational success stories and an equal share of failure stories. So, most of all, today's information addict Techno-feudal slave has more stories, more myths than any aboriginal society in this world. The fear psychosis of failure is greater today than any other fear psychosis of any religion of the past. No Devil haunts more than the Devil of failure to the Techno-feudal subject.
"I do not want to die a mediocre man", declares this slave, And not dying mediocre, in his mind has a specific meaning. it can be defined by clear cut tangible goals.
1. Significant social media presence and popularity.
2. Significant accolades in his field and recognition.
3. Significant material wealth to be able to afford a life worth a display on social media.
4. Significant personal relations to be displayed on social media in form of family vlogs, friend-blogs.
In essence, success means today what can be converted into a story, a story in the form of a digital content which will fetch eyeballs and views. A digital God they all worship, and the sacrifice they do is of their mental health. They kill their healthy mental self in making the Digital God of eyeballs happy.
For this pursuit, the greatest weapon of this Techno-feudal slave is "Pragmatism" and "Utilitarianism".
Anyone who is attached to fixed morals and principles is considered today a dogmatic person. Since when you believe firmly on fixed objective principles, You declare, "Ok, if I am going to suffer for my honesty, let it be. If I am going to suffer for my principles, so be it."
But, then how these success goals will be met? They should be met. So, the techno-feudal subject adopts pragmatism as his new ideology. Pragmatism began from America. America, a market which decided to call itself a country. Any one de-ontological is dogmatic today. Why so? A Gandhi is disliked today not for his interpretation of Hinduism in liberal terms, or for his conservative stances, but for his firmness towards certain principles of life and struggle and to accept defeat even while walking on the path of truth.
For Gandhi, the path of truth must equally be true and in this philosophical sense, merely walking on the path towards truth was like victory of truth already. But today, Gandhi is the hated one. Communalists hate him. Seculars hate him subconsciously. Conservatives hate him, liberals hate him. Nobody loves this man because this man was one of the examples who can beat the current hegemonic idea of "Pragmatism", "Success mania" and "Victory at any cost".
So, third point is understood. In post-love societies Love exists in three forms.
1. Self-love or Digital narcissism.
2. Arranged Love or a planned artificial forest.
3. Pragmatic love or love for Pragmatism.
In these scenarios, where our most sacred concepts like, Love are commodified. We can no longer trust our own common sense what we perceive as love. It is natural, then, that the new Generations, GenZ and Gen Alpha, which I consider most honest generations till date, have coined new terms which sound similar to love but not exactly love. This I think is the symptom of the malaise that the Neo-liberal techno-feudal market has created.
Situationship is an honest symptom of something deeply grave. I think an honest person today will have situationships only. Marriages are farce in this day and age. They are not outdated, but they are too commodified to be true. They are fake. You do not need to say, "Fake marriage". When you say, Marriage, that means "a fake relationship".
Relationships are too, now commodified. Live-in relationships are commodified. Everything is build around this Economy of Post-love where the attempt of the market is to bring hyper-certainty. You are not allowed to be unsure about love. But this uncertainty is in a way, a pre-requisite for love. If you are not anxious about your to be partner, the one who you wish to be with your whole life, you are not really in a process of being in love. Ideally, the anxiety of "What will happen" should drive the feeling of love. The "What will happen" should naturally be converted into "Whatever will, we will see together".
But, today's post-love societies are societies where economy just wants you to keep Posting about love. Do not fall in love. Never experience the actual thing. Never try to actually meet a person, a random stranger, not through social media, talk and keep meeting and then develop affection and then fight, and then feel sad, then after break-ups, feel depressed. This is how naturally these things occur. This is actually Love occurs when left untouched. But, today the man is scared too much. Hence the Secure version that Market provides,
"The Anxiety less, The trauma less, The depression less, The fall-less form of love"
A Love worth posting on social media. That is post-love. It is exactly not what it is advertised. It is not love but just a hollow advertisement of love.
That is why, Love, in my opinion, should be frowned upon the most today. anyone who says, he regards Love the most. Consider him either delusional, already brainwashed by digital economy, or a sinister, a predator, someone who can actually make content out of your highly regarded relationship.
What is the solution? Is there a genuine way to express affection today. Here, in loss of newer ideas, I am forced to return to some old conservative ideas. Some ideas which are now considered bad. Some ideas which are considered even not sane today, but symptomatic.
For instance, "Neki kar dariya mein Daal" or "Do good and do not post on social media".
For instance, "Do something that expresses affection and do not ask for payment", and Also, what goes without saying, "Do not post on social media".
What to not post on social media? Anything. I mean anything that makes a commodity out of your own life is post-love and not love.
I consider, at last, that our parent's generation of absent love is a love to be practiced now a days. Our parents were never present in our memories loving us, or saying that "Beta, I love you!" because they were busy providing us with resources that made us live a good life, something that they will never be alive to see. Something that they will never boast on social media by posting. Our fathers, Our mothers knew what is love. They might not be aware that they know. But they know. It is in them. Programmed by nature or conditioned by society, whatever you say, but it is there.
Return to old love. "Love as practice of giving", "Love as fall", "Love as which does not exclude the possibility of loss".
Love that cries, sings, writes poems, dances imagining her in his arms, dreams to have kids with her, dreams to cook for her, but never never never and I repeat, never ever dreams to post his love online.
"I heard that it was ATC's fault."
"Yes, it might be. Indians are like that, aren't they? Irresponsible pieces of shit."
"But you are also Indian, aren't you?"
"I have been responsible my whole life", exclaimed Jai to his Grandson Prabhat.
This talk was being overheard by Ajay, Prabhat's father, Aarti, Prabhat's Grandma, and Ranvijay, Prabhat's uncle.
Prabhat said "I do not doubt it a bit. I have my ATC exam next month. It feels weird when the job you aspire for comes to light for an irresponsible act."
Ajay intervened, "Now there is a new angle to this. People are saying CIA and ISI are behind this. Boeing is an American aerospace company. They did all this."
Aarti asked Prabhat, "So, the ATC will lose his job, won't he?"
"Yes", replied to Prabhat. He will have to give another exam for the same probably.
"At least he will not be jailed", Said Aarti, being uninformed about the case.
Ranvijay intervened, "Things will be straight when the black box opens". Ajay said in a tone of a voice, "But who will do the check up? Boeing itself. We cannot trust them."
Everybody agreed in a non-verbal manner.
Then began, a series of stories by Jai, the grandfather on how he, as an Engineer was a fully responsible, honest man, who never compromised on his duty ever, was deeply religious and this reflected his being a high caste, Bhumihar, and his being an RSS-ite.
Prabhat did not care for the caste or organizational affiliations, but unlike other family members, who hated the honesty, integrity and responsibility mania of Jai, they always complaint why Jai never took bribes while his friends became rich by taking them, Prabhat only cared for these qualities. It is not like they did not have differences. They used to fight the most. Prabhat once told him, "I will not pass on your traits to my children. I will not be a casteist, communal bigot." But, they loved each other. Jai had a soft corner for Prabhat since his childhood. Prabhat through his merit, also made this soft corner reasonable. This had made both of them alike. Both Grandson and Grandpa, Egoistic, responsibility freak, cleanliness maniacs who wished to be things in order. It required great character indeed to have ideological differences with your own family member, especially in the post-ideological period like these.
Prabhat said, "But this model of plane has never crashed in History."
Ajay shouted, "Nope! It has in Japan". Prabhat counter-argued, "Nope I am sure it hasn't."
Ajay's reference for his inference was his opinion supported by WhatsApp forward, whereas Prabhat, although not-well informed had watched a video of the famous Youtuber Dhruv Rathee. Prabhat knew, Rathee is not unbiased, but at least he will be more informed than his own father.
This is the change information age brought with it. A man might trust a stranger on internet more than his own father. Delusions prevail or they just surface due to more transparency, Only God knows.
Chit chats going on, but Prabhat had to go study for exams. But he wanted to put his final opinion amongst these opinionated family members.
"But I have observed for 2 days, I have seen trains derailing, Buses falling off cliffs, numerous accidents, and normal poor people die every day. But the way people react when rich man's transport, that is airways, crashes. And see people become analysts and policymakers and empaths. Are our concerns also class-conscious? Is our empathy also following trickle down model where it begins with the rich and in being unable to trickle down ends up accumulating at the top."
Ranvijay said, "Yeah, the flight was of rich men. Like, Air India is privatized. And it was going to London. Also, if they could afford Flights, they must be rich."
Everyone felt like non-contributing to this conversation. Rich and poor are too much of a topic to be commented upon in a lower middle-class family when their own aspirations are to be rich someday. Jai remembered that he had to take a bathe. Ajay started using his phone. Ranvijay went to open his shop. And Aarti and Prabhat stayed there in a usual silence after a discussion this home was habitual of.
Prabhat said, "I always wished to take you to a flight one day. I know you haven't seen one closely. Do not get scared. These happen once in a lifetime. I will take you one day on a flight."
Aarti laughed. Prabhat and Aarti shared a moment of respect and love masked in humor. The relation between a grandma and a Grandson is sublime. The Grandson remains a little kid inside until his grandma is alive. And this Grandson wanted to gift his grandma a flight trip. A short one may be, but a flight trip.
ATC irresponsibility, CIA conspiracy, or whatever, and perhaps 300 people died. But I still think, call me Narcissistic perhaps, the biggest loss that happened was a fear in the innocent dream of a grandson who just wanted to gift his grandma a flight trip.
Perhaps, the Global world Politics and the CIA is too intelligent to understand that.
Your Question, My Question, Whose Question?
Democracy, as it has developed itself in the recent centuries, has transformed from being a liberating system to a grievance redressal mechanism system. Every new beginning in a democratic system acts upon the previous year's pent-up questions which remained unattended in the previous years due to the invisible-isation in that contemporary narrative.
But here, it is only in 21st century that major changes occurred with respect to narratives and the way we see Political Reality. 20th Century Politics was simple. A moral argument, a moral line of questioning used to get popular support and then a new way of life came into being.
It is only in 21st Century that Narratives are seen as narratives however moral or immoral. The morality does not entail reality. In some way, reality has been bypassed. The political reality builds itself upon the success of the narrative.
What Harari calls Story Telling. Narratives are actually Storytelling. Storytelling always had the element of willful suspension of guard against real and fiction. When you watched a movie, it begins with you watching a movie to enjoy, to consume it, but the success of the movie relies on the fact that how much did it consume you. Narratives are Political storytelling, where the Citizen knows that he is being told a story, specially the 21st century Citizen, but the art and craft of storytelling is considered "Political Merit" in the 21st century. Earlier, Political Merit was considered a Philosophical job. To comprehensively put forward the cause of people and the marginalized. The well-comprehension was considered good. Now this has been perverted. It does not matter whether the Narrative actually had any objective evidence to exist, it is just the well he can articulate and manipulate, the citizen willfully surrenders his senses to this snake-charmer and disregards his own question. In this regard, Narrative has not much to do today with reality but to attention economy. The Narrative's relation to reality is not considered merit anymore. But there is a relation between the Narrativization and Attention. Your attention, even in your sleep is being sold to Narratives that do not raise your genuine concerns.
Another angle to look at it is, the De-ideologization and the rise of invisibly accepted Ideologies. Big word, but what is it really? Let me help. Have you ever heard anyone saying, "I do not believe in these labels, Socialist, Communist, Feminist, Leftist, Conservative, these labels are inadequate in defining me." You must have. These are some of the Catch phrases of this century. Catch phrases tell us a lot about the times we live in.
"Please do not judge me" is another catch phrase. The reason this is in place is the breaking up of modern value system and the ideologies that were considered absolutely good. What characterizes the leftist progressive ideological system in 20th century is tabooed today since most of the crimes of the 20th century, 21st century man thinks is because of Left. So, right was wrong and now Left is not right, hence we find individuals not wishing to be labelled. This also stems from the Narcissistic Identification with the Self. To be labelled today seems like slavery. To be unlabeled feels like free. But the point of ideology is, either you choose it, or they choose you. So the unlabeled ones are usually those who identify too much with the Hegemonic ideologies and structures today. They will not call themselves socialists, but they wish not to be mediocre in society's eyes, hence, they might identify with the label of "Aspirant". And they think this is not ideological. So the term exists, "De-ideologization on one hand" like No communists, no feminists except in college campuses, And along with that "Rise of accepted ideologies that are invisible".
Ideologies are mostly invisible only. "They know not what they are doing" is an ideological act according to Marx. But then, current ideological paradigm is contradiction par excellence. they know, they are aware. But they will deem this as non-ideological. They think, their contribution to the economic system is not ideologically motivated but is as an independent "Free thinker". They see Progressive ideologies as lenses, and their own actions as eyes. But, Eyes are themselves manipulated to see only certain kind of reality. This is the essence of Ideology.
So, on one hand Politically, Democracy is suffering with the problem of Narrativization, and our personal lives are suffering in the De-ideologization framework. it seems like the man has unlearned the concepts of 21st century. Unlearning dictates much of our social consciousness today. We are hell bent in correcting things. We forgot Ideologies that promised freedom because they brought violence visible to eyes. This is like throwing the medicine because it makes you vomit alcohol. We threw away morality and narratives' connection to truth out because we thought Morality enslaved us into a one-sided reality.
But, we forgot that Reality is often one-sided. It is not a story that has a compulsion to be democratic to each character. Reality is in Favour of the rich. Here, The rich gets more dialogues to say since the poor has been rendered mute. Even if he speaks, he speaks what he has been taught to speak, not his grievances. So Democracy here has Transformed, I stand corrected, From A liberating system of the rich to the Grievance redressal mechanism of the rich. This "Of the rich" is the keyword here.
Where does Depression comes in? Depression comes as a product of Democracy. Since Democracy is democracy for the rich, There is obviously an other being created here. Rich and poor conflicts, why they do not happen today like they used to happen in 20th century? Because everyone is convinced today by the Narrativization power that "They are either already rich or they can be".
So, the resentment resides within the self only. The class consciousness is deliberately erased and Class conflicts has morphed into a blame game. You are to be blamed if you are poor. Why are you poor? Since you have freedom, the burden to be productive and rich is on you. If you cannot get food, we will give you. But do not dare to say that we are poor. Poor status has been snatched and morphed into BPL cards to give food. Take this BPL card and please do not call yourself poor. Because the turning of Phrase, "I am Poor and I exist" entails a burden on people in power to do something to change it. When The poor shuts up and takes the bribe of PDS, he becomes just a statistic, a Silent Statistic.
Here lies a collective Depression of consciousness. The relation with state, Conflictual as it had been in 20th century, ceased to be so in 21st century. Nowadays, no negativity of conflicts exists. They are made deliberately mute. Ever saw those newer segments on News channels, Where fun game shows and "Positive News" has replaced the Grievances of the public. The Media is muted off by Power. So you see a silent spring of Depression taking over. We analyze it in the Context of Byung Chul Han's Achievement Society in the next section.
"Why are you reacting like this? That's why I tell you to be more social. This happened some 7 months back. Now you are reacting like this but for what?" Nikhil told Subhash.
Subhash went in contemplation. Nikhil knew that the reaction was obvious. No ordinary news had been delivered. No ordinary person had died. She was once Subhash's Ex-girlfriend. Nikhil was surprised at this reaction because he never knew that Subhash was going to react like this. She was not even Ex. The story was that old that even the slightest bit of relation was not left. These are some stages of modern relationship, "Courtship, shippers, in relationship, Ex, not even ex. They were Not even Exes.
But Subhash seemed moved. He said, "See you guys later!" And went away.
Coming to his home, he was numb and lost in an abyss.
Suddenly, he came back, and he saw he is standing in the middle of traffic. He was blocking someone's route. That person seemed in hurry. That person shouted, "Hey! Idiot, die some place elsewhere, not under my car." Subhash gave way.
Sunrays fell on the bald head of Subhash. Dhoop! as they call it in Hindi. This shouting brought him back to life. A person cannot grieve in traffic. The world's a traffic. That's why there are so many people with unresolved emotions. Grief is not allowed in Traffic. You need to keep moving.
"Dhoop kitne rang ke hote hain? Kya shaam subah ke rang ek jaise hote hain? Kya chaand ki kirano par Suraj ki kiran hone ka dabaab hota hai? Roshni ke alag alag roop ko kya duniya qubool karti hai? Toh phir mera ye rang kyun nahi? Mai tumko yaad karke ro sakun, Iski mujhe ijazat kyun nahi hai?
This was Subhash after 20 years of being separate from Sunidhi. and 9 months after her death. He was not informed. Since now they were strangers. Nobody, not even his friends thought it was necessary to inform him that she had died. Last time, 20 years ago, When Sunidhi and Subhash broke up, He cried amongst his friends like a little baby. His friends did not want to see him in that position again. Also, they had thought that he will be indifferent to this fact. But Subhash was very human, too much human.
"Kuch aansu hi allowed hote hain iss society mein. Baap mara toh Beta ro sakta hai. Pati Mara toh patni. Dost bhi allowed hain, ki wo ro lein, agar dosti mar gayi ho. Lekin Ajnabi ko ajnabi ki Maut par rona allowed nahi hai. Khaas kar wo ajnabi, jiske saath kabhi aapne ye rishta majburi mein banaya tha. Sunidhi! Mai nahi chahta tha tumse anjaan hona. Mai tumko aur jaanna chahta tha. Lekin, Tum nahi chahti thi, ki wo mai rahun, jo tumhare baare mein jaane. Mard aur aurat ke rishte aise kyun hote hain? Jahan, Package pura ka pura rishte ka ek aadmi ya ek aurat ko de diya jata hai. Mujhe uski baatein karna bahut pasand tha. Uske baare sochna. Usko pakad ke hug karna. Lekin ek compulsion hai. Ki rishta chalana hai. jaise ki koi State chalana hai. toh economy and politics hai. Jaise 2 political parties ek dusre se negotiate kar rhi ho. Ab yahi rishta iss mod par hai. Ki 10 mahine beet chuke hain. Aur mera dukh kam nahi hota. Koi na lagey jo, jo kabhi kuch lagti thi, uski maut ka dukh, Itne naye emotion ko Samaaj accept karega kya?"
Subhash wished upon himself what Shiva wished upon Sati's death. But this was worse. Sati and shiva were Couple. Sati died and we all saw, an undead, depressed husband carrying his dead wife, on his shoulders across the Universe. If you look closely, you will see, metaphorically, the dead body of Sunidhi on the shoulders of Subhash. It was with difficulty that Subhash got over with Sunidhi. But now, it began again.
Subhash was at the site of Sunidhi's death. It was a car accident. Under mysterious circumstances, she was found dead in her car. Her car crashed but on what? No signs of anything that might suggest a cause of that accident. Subhash came to look for Sunidhi. A wishful thinking that She was last alive here. She took her last breath at this place. The same air, Subhash wished to inhale. Some proximity, Any amount, to her was acceptable to Subhash at this point. He wanted to cry and express what has happened to him. This complex emotion needed patience which the world was not kind enough to offer.
"Mai tumko yaad karke rona chahta hun Sunidhi. Lekin tumhari aakhri yaad bhi kuch 20 saal pahle ki hai. Mai aksar sochta tha, Ki mar jaane mein, aur Kisi se door chale jaane mein kya farq hota hai? uss aadmi ke liye toh koi farq nahi hota jisse tum dur jaate ho. Uske liye toh tum mar gye. Lekin shayad, ye bahut badi baat hai ki Uss aadmi ko pata ho ki saamne waala zinda hai. Bas mujhse door hai. Iss duniya mein ab bhi wo hai. Saans le raha hai. shayad bahut khush ho. Ye sab soch ke Mai khud ko khush rakhta tha. Lekin, Maut mahaz kisi se doori nahi hoti. Wo ek aelaan hoti hai, ki ab wo jaan, wapas patthar ho gayi. Ab koi aisa, aise hasne wala, aise rone wala, aise baat karne wala, iss duniya mein aayega hi nahi. Maut Ghosna hoti hai, ki bas! Ab aur nahi."
Subhash was still in contemplation. He recalled how Sunidhi's brother, Sukesh, stopped talking to him when he knew that they were dating. Sukesh was Subhash's friend at one time. But Indian Man cannot digest the fact that his friend can date his sister. His Manhood is hurt. And more so, as a human, an Indian man cannot digest that some other Indian man loves. Love is a prohibited emotion for Indian men. Care is allowed, Responsibilities are allowed, Sacrifice is allowed. But the Expression of Love is not allowed. All facets of love are allowed but expression. Indian man since Satya-yuga, is trying to prove a point that He is a man of Dharma. And Dharma means, doing duty. Love and subtle emotions do not come under the ambit of duty. Being vulnerable, being open to perish for someone, these things do not come under the ambit of Dharma. Indian man is taught to keep upright, behave like a monk after a heartbreak, as if nothing happened. That is what Dharma has done to India. Man's ideal version is a Monk. Subhash cared for Old Monk, not being a Monk.
When he told Sukesh, after his breakup with Sunidhi, that he loved Sunidhi and got heartbroken, Sukesh heard him for a whole hour, gave him condolences, may be because he did not want to confront him. But, as soon as the phone was hung up, Subhash was blocked from all places. The last contact from Sunidhi's family was lost. And he lost a good friend that day. For being honest and vulnerable. But Subhash understood. He forgave his friend. He always does. He forgives. As if this is the last life he has and no remorse and no regrets and no pent-up emotions he wishes to keep. He is an anomaly. He cries more than anyone in his locality. And that too being a guy. Sunidhi, on the other hand, was almost a guy. She never cried. She was running for the label of a strong woman. Sunidhi used to mock Subhash. "How mushy you are! You make me cry also. You wish to make me a girl again? You know I am the strong man in this relationship, right?" Subhash used to say, laughingly, while still in tears, "Yes I know!" Then they used to laugh out loud.
If people could know the times and small moments of people of love, like Sunidhi and Subhash, World wars will become history, People will be ambitious to replicate that. Love is the priviest form of heaven possible. No charity available, no social welfare scheme can give you love. No state can provide. These are some conditions only you make with your partner in some circumstances. A solitude of two people.
Subhash was sitting on the pavement like a homeless man, where the accident took place. He was a homeless man. Sunidhi was his home. But somehow, he has convinced himself that it is his destiny to sleep on roads. But the mere fact that his home is now non-existent, it got demolished by a Bulldozer by, probably a government who does not like your religion, The feeling of homelessness again became alive.
Subhash saw Sukesh. He thought he is hallucinating. But no he was not. Sukesh was sitting there on the park bench. Sukesh and Sunidhi's faces looked very much alike. After so long, Sukesh saw light. His face glowed. He wanted to meet Sukesh. But felt hesitant. He was blocked. Sukesh does not want his presence. Should he say Hi? Is he allowed to be part of the sorrow that Sunidhi's family shared? Subhash was no family. But he wanted to. Family seems like a positive institution. But the institution which declares to prioritize people who are related to you by Biology is a selfish institution. Just because two people came out of the same womb, they are allowed to cry for each other. Two men fought all their lives for land disputes of the family, and when one man dies, The other man cries. And his sadness is allowed even after knowing that these people always wanted ill of each other. Family is a selfish, self-centric and non-inclusive institution. And I ask, what is so special about Biology that people give it more value than Collective welfare and sometimes more value than the individual.
Subhas was looking at Sukesh. Sukesh looked back. At this moment, Subash and Sukesh seemed frozen. In a kind of hesitation whether to talk. Men are like that. Only Men can mask their ego behind hesitation. Man can hide his ego anywhere. In any emotion. He is so skillful at that. To hide emotions behind emotions. That is why, I feel no empathy for a man when it comes to emotions. No patriarchy has stopped him from expressing. He has convinced himself that he is not allowed to. His in-expressivity has more to do with his own insecurities than what society did to him. Man's world, man's society and man is enslaved. It is just a statement made by man to give women guilt trip, while they demand rights. Man is a hypocrite par excellence.
But Subhash was not like that. He stood up. He started walking towards Sukesh. Sukesh was still frozen. He seemed both hesitant and surprised over the audacity of this man. This man feared no one when it came to expressing emotions. As men should be. And men hate to be. As all humans should be.
T he past is a foreign country: they do things differently there.” Leslie P. Hartley (1895-1972) Thought travels with a speed dif...