The past is a foreign country: they do things differently there.”
The past is a foreign country: they do things differently there.”
SHLOKA 1
When Sahir wrote the lines,
It so happens that Human beings learn retrospectively. I did not know the full meaning of what he meant. When My Kutiya died, I understood some more of it.
Let me introduce. It might be the first and last introduction she will get. She was a female dog. Bitch, I do not say, because this word I reserve for human beings.
So, She has not much introduction. Just some images of her in my head. She used to dance. She used to wiggle her tail in front of me to get food. She used to do it for other family members of mine, but they were not kind enough to always give her a piece of roti.
I understood when she died, The meanings of the lines, "Utna hi upkaar samajh...". She knew it. She never showed anger when she was not given food. She used to ask. She used to make a sound. She used to say something like, "Aoooo" in dog voice, which I had understood meant food. I used to study and I used to here a dog scratch on my door, sometimes, when the door would have been azar, I used to hear a "Aooo" and I used to know, Ok she needs food. And she was disciplined like that. She never knocked my door in improper times. She knocked at 9 AM in the mornings just when I used to go to get my breakfast, just to remind me to get her food, at 2 PM at lunch, somewhere around 5 PM for some snacks and then at 9 PM for dinner. A quality that only she had and humans do not. Humans of my house disturb me day and night at anytime.
I had some feelings for My Kutiya. I knew she also had. She used to talk to me through touch. I used to touch her forehead. This gave her affection. She used to sometimes scratch her back against my leg. That meant, do not worry. We won't judge you. At least I interpreted this as that.
In her last day, When I forced her to go out of the house in hugh rain, she went outside without resisting. She knew it, "Jo jitna saath nibha de, wo hi upkaar samajh". She knew she will die. She was already ill.
I obeyed my grandfather. I did not obey truth. I did not obey What was right thing to do, what was dharma. I obeyed my Grandpa. He said, The floor will get dirty of her saliva. She was salivating of all the cough that she had. She had pneumonia.
She went and I closed the door. I went back to my Optional class.
The next day, I saw her lying in the shrubs trying to get up but the sheer rain and her weak body. I was looking at her but was unable. My family members expressed sorrow, but I am sure that was performance. They said we could not do anything. They said, it is good for her she died. How would have she survived.
"Koi na sang mare" I know this. She died of Pneumonia and weakness. I do not know, Karma and other stuff. Dharma, and God and other things.
But, I think I might die of Pneumonia too. I will also die on a heavy rain, homeless with no help. This is the punishment of mine I must bear. I will have to. Somewhere I feel this will occur. She took with me a human side of me that died with her. In fact, my human side died when I forced her out of the house.
I do not know and would not want to engage in human explanations of right and wrong or whether it was good bad, necessary or unnecessary or whether My Grandpa is right or I was.
The fact is she died. And I was responsible for it. I cried that night and I am crying still. The pragmatism says I should focus on my work and We still have 4 dogs. But,
Just one thing, "No life deserves death yet death it was it gets. And she died miserably. The only way I can repay is by dying miserably like that."
If I got some financial independence, I would like to have a dog daughter. Humans are ok but I would like to be treated good by a dog and parent a dog than a human.
My Kutiya had no name. I did not have the emotional sensibility to name her. My daadima used to call her Kutiya, so I called her Kutiya.
Somehow, in this state of deep guilt and sorrow, I somehow wish, that she should come back. In any other form and give me a chance to rectify my mistake.
Animals are mostly powerless as compared to Humans. The least a good person can do is treat them with respect and may be care for them.
My Friend Siddhant used to care a lot for Dogs in IISER. He used to say to me "I see a Dog lover in you." I used to laugh at that.
But now when the affection of a dog hits you, it is really a surreal feeling, spiritual feeling. And I conjecture that in this digital age of post irony and all that, The only genuine spiritual love possible is between a dog and a human. like an animal and a human. Rest all human-human relationships are corrupted by barter and transactions.
Pet a dog, or may be some animal. It is natural only to have affection for an animals and parent it like your own kid. It makes you less animal to be friends with animals, it makes you more human.
Every Literary work presents itself as a form of opaque transparence to the reader. The Form is as transparent as it could be. In fact,
The Form is by definition, a transparent display of the content. If it is judged solely on the basis of its own, it is not encrypted at all. The encryption comes only when It is seen in the context of the content.
The Content, on the other hand, by virtue of being content, needs to be encrypted to meaning, connected to Form via an encryption and more so, In its structure, Encryption comes as an ingredient to the story itself.
The three-factor authentication of Content is what makes it Decode worthy. The reader is invited in, engaged in and pushes him to know and decode.
Take an example of a fiction drama, "Asaad ka Ek din" or "A day of Monsoon". The form in front is a set of people talking under the banner of "A day of monsoon". This generates some expectations. Some pre-assumptions about what the story is going to be about.
But an intelligent reader knows that it is very much essential for the expectation to break and more and more rift between expectation and content to arise for further engagement of him with the content. So he is not only prepared for conflict, he is hopeful, he is counting on it.
The content of course, then turns out to be a love story. Love stories in all day and ages are not that conflict generating. It might be having some inner conflicts of its own, but at least, it is not more deviation from the Form. A monsoon day can be considered already romantic.
But the hidden message is that the title is kept fundamentally non-relevant to the story at large. As if, Mohan Rakesh, the author, delivers this message that the fundamental seer of this conflict, him, sees it not from any one perspective, but from the perspective of the stage, since it was a drama.
A temporal title. This is what a day in a monsoon looked like once upon a time between these people. One of the key tenets of storytelling is to further de-aggrandize your story since, it is the very nature of fiction that it often intimidates reality.
The reader enters, already intimidated to the characters at large, thinking, "What special have they done to deserve being written on a page and I don't?
The reader comes from a certain space of intimidation, that is why he decided to turn to fiction in the first place. As I say,
"Zen men read non-fiction. Rest non-Zen men and women console through fiction. Those who do not read at all, their sexuality is always in conflict, they remain unsure of their sexuality."
What do I mean by this is, It requires a certain amount of give in, a submission to fiction only those can afford who do not have a good reality to look forward to. On the other hand, Non-fiction is basically truth. If taken literally, "Non-fiction" means "Not a story" that is, basically truth. It requires a very courageous mind and a sort of privilege to be able to read non-fiction. Rest those who do not read, they fight with both natures. They are submissive where it is required to fight, they are aggressive where it is required to submit. Their lives become a constant anxious nightmare.
The Opacity of literature, be it fiction and non-fiction reveal itself like sexuality. You slowly discover the facets of sexuality, and you slowly get to know what the story is about.
Except a few exceptions, like Ranveer Kapoor in Animal or some Shahrukh Khan in some other recent film, We have seen a recent very peculiar films like: Sui Dhaga, Barelli ki Barfi, Chhalaang and most prominent of recent, Bhool Chook Maaf. That is, the Hero is no longer Macho, he is flawed but these indie characteristics are also qualities of some Anurag Kashyap and earlier parallel cinema Heroes, one main feature of these film's Heroes are "They are losers!"
Bollywood's deliberate attempt to depict loser masculine hints at the socio-political conditions that we are living. But this loser is not just a loser, it is complemented with a redemption arc.
For example, In Bhool Chook Maaf, Rajkumar Rao's character is a selfish idiot who bribes an agent to get a government job just for the sake of marrying his loved girl. He is far from honest, far from ideals of the socialist India, the neo-liberal Hero of India is obviously corrupt. He is not just corrupt; he is obviously corrupt.
Then, he goes through all of this redemption arc where he not only turns essentially honest but also takes a moral high ground and reclaims the position that was held by someone like Amitabh Bachchan in films like Shahenshah. What are the implications of these movies on our current societal circumstances? Let us see.
1. It is no longer possible for Cinema, especially Bollywood cinema to depict an "Ideal Hero". This is the depiction of Death of "Dream of Ideal Man and Ideal society". The real, so called, is now flawed one. Cinema is now not meant to deliver a message of the goodness, rather just runs on naive relatability factor. And I am not a big fan of Relatability. If your piece of art is relatable to a rapist, I spit on such cinema.
2. It seems essential in today's time, that is the decline of Patriarchy, Men are not the ideal of society. Women are. That is why, in all these films when the man is a loser, the woman is a single dimensional character, that is, a strong independent woman, mostly either challenging the ego of the man, or covering it for his loser behavior.
3. The redemption arc of the Hero is coming from typically the Bollywood's compulsion of victory of good over evil. So, the Hero reforms. The Hero comes out to be this empathetic welfarist man who thinks about common good now that he understands that his behavior is the contributor to the evil at large. This gives us a false hope that eventually, we will also reform and become the best versions of ourselves. But this reform for the Hero happens within 2 hours of the film, unfortunately, men who watch these films, never reform.
4. One other peculiar implication that we see in these Heroes is that they use humor extensively. It seems in films like: Stree, etc. That there are no side-heroes or comics like Johny Lever type characters in these films. The Hero itself is the comic. That is an effect of Stand up comedy and its popularity in contemporary times. The Comic is not considered a joker anymore. He is considered an artist. He is considered someone worthy of becoming a Hero.
This should not be seen as a bad thing. I think Hero has not become Funny. We can say, nowadays funny people are beginning to be accepted as heroes of today's times. Earlier, funny was associated with immaturity and naiveness, anyone serious was considered mature and socially conscious. Nowadays, this has reversed already.
Anyone serious is considered seriously pathological and naive. It is like, we are living in such difficult times that anyone who is not seen joking and lightening the mood, is considered seriously pathological and even boring. If you consider yourself a hero today, it is mandatory to be funny today. No other option.
In fact, comedy acts as a redeeming factor to the Hero's loser nature. "at least he is funny, covers up for all his lack of morality and his mischief."
4. One thing this Hero is really firm at. He is differently moral as to the socialist Hero of 80s-90s Cinema. He is not patriarchal at all. Like, even if the film is not about Gender issues, we see extensive in talk commentary about women's rights and depiction of free woman and Hero, however loser he is, supports women's freedom. The socialist hero was progressive yet retained his patriarchy in his moral stance. In fact, In case of the Loser Hero, His being loser can also be interpreted as his comfort with not winning. His comfort with his masculinity. "It is ok not to be best in everything even if you are the Hero of your own film" is the central message of this Loser Heroes' character. It is sort of a signalling, an instruction manuel for the men. What kind of men are desired in today's times by women. It is Rajkumar Rao of Stree, Bhool Chook maaf, or for that matter in Chhlanng.
It is not like people, sane people out of their own will, behave in a particular way, nor does this happen that people turn insane and behave insanely. This is the power of Ideology that the economic and social system shapes that People, start considering yesterday's sanity as insane and vice versa today.
We live in Post love hostels today. Strategically used words with precise meanings, I have tried to succinctly put what I want to say. Post love is a condition where Love in its raw openness is prohibited. Post love is a situation where Love, as a concept, can only survive behind a reversal of a defense, such as in humor twisted in Rom-coms, in horror twisted in lust, etc.
Post Love has some hidden assumptions.
First, Love is too mushy and cringy to be performative. So, its performance must be engendered, Like Judith Butler dictates, Gender is performative, out of many subjects, Love becomes a performance art for a particular gender. Women perform love in a particular way and you are trained to receive love from a woman in a trained particular way. If a woman deviates from the prescribed performance of love, you somehow judge the woman just like an Art critic judges a poem, "Oh! It is not in meter". Men have to perform Love in a particular way, or else, they will be judged for their performance. So, Love becomes a gendered genre of performance. What is love if not associated with any gender norm? nothing precisely. There is no concept of love which today can be called a Neuter gender love. Why is it so? I claim, this is the result of post-ideological trauma. We live in a post-ideological era. Although this is a false statement. No more than now we are engrossed in Ideology today, and no more than he is most ideological who claims that he belongs to "No -isms" and he comes from "No-wing". He actually comes from all wings and all ideologies fool him constantly. Since in the 20th century, horrors were committed in names of political ideologies, we have stopped claiming our ideologies today. As a result, calling yourself a liberal is frowned upon, a communist or otherwise is seen as a mark of "being too naive" or "a blind supporter" and being from a "no-winger" is considered the new intellectual. So, with this, comes a dishonesty towards society. Since the ideologies which claimed to offer help to the collectives as a whole are on a decline, A sudden Narcissistic rise of individuality is being seen. Individual with just a digital identity and stripped of all collective social relations is the new subject today. I call it, "The Techno-feudal Slave".
The Techno-feudal slave does not know love. He knows a product called, "Self-love". He has been sold that as a commodity. All other forms of love that he has somehow invented in his head are actually an extension of this Commodified "Self-love".
Self-love is the most fetishistic and undignified form of love possible. It is worse than lust, a traditionally considered heinous and unspiritual form of love is Physical love. Self-love is today's lust. Today's Techno-feudal slave is addicted to his own identity on digital forms of media. He is addicted to his own self Narcissistically. The pressure to be a self-made is so much in a rise which has led to a corresponding rise of mental health diseases, or depression. Depression is analogous in concept, with the Auto-immune diseases, where the Subject starts attacking his own allies, his own cells, his own self in a way. Depression occurs in a positivity obsessed society, where there is a pressure to be successful on your own, not because it is for a purpose, being successful itself has become a purpose to be successful. And more for the story. Man today, wants to become a story of his own success. The motivation to become successful has become this self-driving machine, where the sole motivation of becoming successful is motivation itself, no other reason. Someone wants to be successful so that he can motivate others to be successful. It is like a "Motivation Zombie Apocalypse".
So this Techno-feudal Slave, knowing no love but self-love and all other love as manifestations of self-love deprives itself from the social love that was the Zeitgeist of the last century. In the Last century, being a social activist, being a leader for a cause, or just someone who stands up for collective goodness was considered a Hero. It was considered the highest form of Love. Today, the most hated occupation is the people who protest, people who are activists, people who stand up for someone other's grievances, mostly people who still believe in the concept of "Helping Members of a society as your own Family."
Numerous UAPAs, numerous people in jails, journalists and all, and leaders calling the people who protest as "Andolan-Jeeves" or "People who earn and eat through revolutions". So, People have begun to equate Protestors with inefficient failures who could not achieve anything for themselves, so they started complaining. In a society where criticism and protest is constantly considered as a "false complain" or "nagging", This society is under the full attack of what Byung Chul Han calls "Psychopolitics" or the politics of Mental health. Politics where the social structures and economic structure enslaves you through having full control on your mental Healths. The Market controls your attention. The market will decide what you consider important and what you consider worthless. The Market will decide what you will feel when and when you will feel depressed. And Market will take away your rights to be left alone and non-attending by giving you lakhs of eyeballs in front of your screens and incentivising you to perform in front of Digital media. As if Market is the "Madari" and you are the Monkey who starts using Social media and post a picture of you enjoying life whenever Madari fansies. And the delusion that the Monkey lives is that he is doing it on its own. That it is his decision to post a picture, not the Market's.
When you are rewarded with eye-balls on the internet, and more so with some hearts occasionally, it is at this time that you are now incentivized more often to perform.
Second, Authentic love is too risky and dangerous to have in this economy. So the techno-feudal subject avoids it at all cost. Gone are the days when people used to die in love, People used to feel depressed in love. Today's subject avoids "falling" in love via two ways,
1. Falsely "Spiritualizing" love by making an idea out of it. Not acting on impulses, passions and just to fancy a woman and performing on Digital media by putting songs and other stuff. This digital performance still remains hollow, so it must be supplemented by Pseudo-spiritual correlations like, "I love her like I love God." Nobody loves God, first of all, And Nobody wishes to Fuck his god, since it is evident that loving her includes a violent and fascinating dimension of Sex.
2. They avoid falling by planning. People today, Plan for love. I call it the "Arranged love". Dating sites, Marriage apps, etc. Social media connections. All are manifestations of Arranged love. I claim, Post love is a society of Arranged love. There are no authentic love marriages anymore. Market has intervened. Now, either you let your parents decide (Conventional Arranged) or you let the market forces decide (Love-arranged by market). Both are equally bad and enslaving. Since what are parents but products of Market today. They will use their own parameters like Caste, Class etc. It is like planning to make a forest. You cannot plant a forest. However unorganized, your made-up forest will be a complexly made-up farm. It is an established fact that, Humans cannot make certain things in its human way. It is a work of nature's randomness, and it is supposed to be made so. For example, Love has and should occur in an accident, in a coincidence, in a way like slipping and falling and it should hurt. The Love was a product of nature in a way that love, like all products of nature, included in itself a loss of itself.
Like all products of nature, Like say, Water includes in itself thirst. If water, no thirst. If no water then thirst. Thirst is essential for water's subjective existence in Human's mind. Similarly, loss of love is an essential thing, all those violent reactions, emotional traumas, are an essential part of loving. That makes it a natural thing and not a market product.
A market always tries to sell you "The thing without its side-effects". Coffee without caffeine, Diet coke etc. "Love without falling in love" is this planned love.
Third, I consider is the most dangerous ideology of today's times. Love as in love for Pragmatism. Today's techno-feudal slave is an un-emotional hijacked plane being run on autopilot of optimizing success. Today's techno-feudal subject abhors making mistakes. And most of all, it abhors not making mistakes at the same time. Let me explain.
The tecno-feudal subject, as we dealt in last section, has heard enough number of motivational success stories and an equal share of failure stories. So, most of all, today's information addict Techno-feudal slave has more stories, more myths than any aboriginal society in this world. The fear psychosis of failure is greater today than any other fear psychosis of any religion of the past. No Devil haunts more than the Devil of failure to the Techno-feudal subject.
"I do not want to die a mediocre man", declares this slave, And not dying mediocre, in his mind has a specific meaning. it can be defined by clear cut tangible goals.
1. Significant social media presence and popularity.
2. Significant accolades in his field and recognition.
3. Significant material wealth to be able to afford a life worth a display on social media.
4. Significant personal relations to be displayed on social media in form of family vlogs, friend-blogs.
In essence, success means today what can be converted into a story, a story in the form of a digital content which will fetch eyeballs and views. A digital God they all worship, and the sacrifice they do is of their mental health. They kill their healthy mental self in making the Digital God of eyeballs happy.
For this pursuit, the greatest weapon of this Techno-feudal slave is "Pragmatism" and "Utilitarianism".
Anyone who is attached to fixed morals and principles is considered today a dogmatic person. Since when you believe firmly on fixed objective principles, You declare, "Ok, if I am going to suffer for my honesty, let it be. If I am going to suffer for my principles, so be it."
But, then how these success goals will be met? They should be met. So, the techno-feudal subject adopts pragmatism as his new ideology. Pragmatism began from America. America, a market which decided to call itself a country. Any one de-ontological is dogmatic today. Why so? A Gandhi is disliked today not for his interpretation of Hinduism in liberal terms, or for his conservative stances, but for his firmness towards certain principles of life and struggle and to accept defeat even while walking on the path of truth.
For Gandhi, the path of truth must equally be true and in this philosophical sense, merely walking on the path towards truth was like victory of truth already. But today, Gandhi is the hated one. Communalists hate him. Seculars hate him subconsciously. Conservatives hate him, liberals hate him. Nobody loves this man because this man was one of the examples who can beat the current hegemonic idea of "Pragmatism", "Success mania" and "Victory at any cost".
So, third point is understood. In post-love societies Love exists in three forms.
1. Self-love or Digital narcissism.
2. Arranged Love or a planned artificial forest.
3. Pragmatic love or love for Pragmatism.
In these scenarios, where our most sacred concepts like, Love are commodified. We can no longer trust our own common sense what we perceive as love. It is natural, then, that the new Generations, GenZ and Gen Alpha, which I consider most honest generations till date, have coined new terms which sound similar to love but not exactly love. This I think is the symptom of the malaise that the Neo-liberal techno-feudal market has created.
Situationship is an honest symptom of something deeply grave. I think an honest person today will have situationships only. Marriages are farce in this day and age. They are not outdated, but they are too commodified to be true. They are fake. You do not need to say, "Fake marriage". When you say, Marriage, that means "a fake relationship".
Relationships are too, now commodified. Live-in relationships are commodified. Everything is build around this Economy of Post-love where the attempt of the market is to bring hyper-certainty. You are not allowed to be unsure about love. But this uncertainty is in a way, a pre-requisite for love. If you are not anxious about your to be partner, the one who you wish to be with your whole life, you are not really in a process of being in love. Ideally, the anxiety of "What will happen" should drive the feeling of love. The "What will happen" should naturally be converted into "Whatever will, we will see together".
But, today's post-love societies are societies where economy just wants you to keep Posting about love. Do not fall in love. Never experience the actual thing. Never try to actually meet a person, a random stranger, not through social media, talk and keep meeting and then develop affection and then fight, and then feel sad, then after break-ups, feel depressed. This is how naturally these things occur. This is actually Love occurs when left untouched. But, today the man is scared too much. Hence the Secure version that Market provides,
"The Anxiety less, The trauma less, The depression less, The fall-less form of love"
A Love worth posting on social media. That is post-love. It is exactly not what it is advertised. It is not love but just a hollow advertisement of love.
That is why, Love, in my opinion, should be frowned upon the most today. anyone who says, he regards Love the most. Consider him either delusional, already brainwashed by digital economy, or a sinister, a predator, someone who can actually make content out of your highly regarded relationship.
What is the solution? Is there a genuine way to express affection today. Here, in loss of newer ideas, I am forced to return to some old conservative ideas. Some ideas which are now considered bad. Some ideas which are considered even not sane today, but symptomatic.
For instance, "Neki kar dariya mein Daal" or "Do good and do not post on social media".
For instance, "Do something that expresses affection and do not ask for payment", and Also, what goes without saying, "Do not post on social media".
What to not post on social media? Anything. I mean anything that makes a commodity out of your own life is post-love and not love.
I consider, at last, that our parent's generation of absent love is a love to be practiced now a days. Our parents were never present in our memories loving us, or saying that "Beta, I love you!" because they were busy providing us with resources that made us live a good life, something that they will never be alive to see. Something that they will never boast on social media by posting. Our fathers, Our mothers knew what is love. They might not be aware that they know. But they know. It is in them. Programmed by nature or conditioned by society, whatever you say, but it is there.
Return to old love. "Love as practice of giving", "Love as fall", "Love as which does not exclude the possibility of loss".
Love that cries, sings, writes poems, dances imagining her in his arms, dreams to have kids with her, dreams to cook for her, but never never never and I repeat, never ever dreams to post his love online.
T he past is a foreign country: they do things differently there.” Leslie P. Hartley (1895-1972) Thought travels with a speed dif...